RED COMMENTS BY ROBERT DEUTSCH (January 2003) | CROPPED LETTERS & BLUE COMMENTS BY G.M. GRENA (March 2005) | ||||||||||||||||||||||||||||||
The same is valid for the letters "alef" (The letter is marked inclined or vertical, some have open angles and some are of 90 degree.) | This one is less angular than the others |
Summary: Only one slightly anomalous letter; others are consistent & normal | |||||||||||||||||||||||||||||
The letter "bet" is marked inclined or vertical, some have open angles and some are of 90 degree. | Middle horizontal stroke intersects vertical & lower stroke, & vertical stroke is slightly less angular |
Middle horizontal stroke intersects vertical & lower stroke, & vertical stroke is slightly less angular |
The vertical stroke on this one is slightly less angular |
Summary: The 2 instances noted are minor deviations based on the length of the vertical stroke, & a few of them are slightly less angular | |||||||||||||||||||||||||||
The inclination and the width of several letters are incorrect, especially the letter "gimel" | Summary: This is indeed unusual for a Gimel to be at a 90-degree angle, but it evolved into a Greek Gamma with this 90-degree angle centuries later--this may have been a legitimate early anomaly | ||||||||||||||||||||||||||||||
Summary: All look similar--consistent & normal | |||||||||||||||||||||||||||||||
Shorter parallel strokes |
This one is less angular than the others |
Shorter parallel strokes |
Shorter parallel strokes |
Shorter parallel strokes |
Shorter parallel strokes |
This one has longer parallel strokes |
Summary: The 3 parallel strokes are shorter on some; one has longer strokes but it's the final letter on the plaque | ||||||||||||||||||||||||
Summary: All look similar--consistent & normal; note that this is a complicated letter that evolved into alternative forms | |||||||||||||||||||||||||||||||
Summary: Both are similarly angled, but the first is oddly small | |||||||||||||||||||||||||||||||
Summary: All look similar--consistent & normal | |||||||||||||||||||||||||||||||
The letter "yod" reveals the same phenomena, some are cursive and some are lapidary. | Summary: All look similar--consistent & normal | ||||||||||||||||||||||||||||||
The same is valid for the letters "kaf" (The letter is marked inclined or vertical, some have open angles and some are of 90 degree.) | Summary: All top strokes look identical; however, 4 of them have completely straight tails while the other 4 have slightly curved tails | ||||||||||||||||||||||||||||||
Anomalous long stroke & non-curly bottom |
Anomalous long stroke & non-curly bottom |
Summary: Two anomalies not cited by Robert Deutsch | |||||||||||||||||||||||||||||
the letter "mem" appears in many variants some copied from the "ivory pomegranate", other from ostraca, some from vine decanters, or the Moabite stone, etc. | Summary: All appear identical in construction but some differ in overall size | ||||||||||||||||||||||||||||||
Summary: All look similar--consistent & normal | |||||||||||||||||||||||||||||||
Summary: Both look similar--consistent & normal | |||||||||||||||||||||||||||||||
Summary: All look similar--consistent & normal | |||||||||||||||||||||||||||||||
The inclination and the width of several letters are incorrect, especially the letter "pe" | Summary: There is nothing "incorrect" about this letter's width or inclination; it's nearly identical to the one in the center of the 29th line on the famous Mesha stela (a.k.a. Moabite Stone)! | ||||||||||||||||||||||||||||||
The same is valid for the letters "sade" (The letter is marked inclined or vertical, some have open angles and some are of 90 degree.) | The left vertical stroke is short |
Summary: All look similar except for one minor anomaly | |||||||||||||||||||||||||||||
The tail changes direction at the fissure, which indicates the fissure was present prior to the inscription |
Summary: All look similar--consistent & normal, yet the anomaly in the second indicates a forgery (not cited by Robert Deutsch) | ||||||||||||||||||||||||||||||
Summary: All look identical; however, 4 of them are angled while the other 5 are upright | |||||||||||||||||||||||||||||||
The inclination and the width of several letters are incorrect, especially the letter "shin" | This one is significantly wider than the others |
This one is slightly angled |
Summary: Two are anomalous, but all look similar in construction | ||||||||||||||||||||||||||||
Summary: All look similar--consistent & normal |
An Analysis of the Inscription by G.M. Grena |
An Analysis of Robert Deutsch's Comments by G.M. Grena |
Out of 200 letters analyzed, the overwhelming majority are normal/typical. No ancient inscription with a large quantity of letters like this was perfect--they were written by hand using a chisel or scribing device on a rough surface, so we should expect a few anomalies. When considering whether an ancient inscription is authentic, one could argue that it is so well executed that it must have been copied in modern times based on an ancient prototype; or one could argue that it is so well executed that it must be ancient & authentic. We know for a fact that this ancient alphabetic script varied as it evolved over the centuries; however, at some points in time, individuals may have made mistakes or developed unique penmanship that eventually became normal. So one could adopt a counter position when studying paleography & believe that anomalies indicate forgeries, or anomalies indicate authentic ancient inscriptions--for example, it would seem nonsensical for a forger to market an obvious error after spending so much time doing the necessary research to forge such a large, complicated inscription. Having said all of that, the inscription on this Joash tablet appears to be a modern forgery. The surface reportedly contained microscopic bits of gold; if it were in the real Temple, it would have been scribed with greater care. An expert scribe would have been employed for such an important project, & that person would have done a better job of laying out the text on a practice surface, then scribed it on the real tablet from right to left properly spaced & sized. Here are some specific spacing anomalies:
Furthermore, the second Qof (7th line from top, 2nd letter from the right) was obviously written over the fissure, & a fractured tablet would not have been chosen to carry the important message this forgery purports to preserve. Finally, the microscopic gold contributes to the authentic appearance, but the real Temple would have been more carefully stripped of its gold prior to its destruction by the ancient Babylonians. |
I don't believe Robert Deutsch is guilty of the charges filed against him by the Israel police for forgery of ostraca & bullae, but his analysis of this Joash tablet (as published by him at listhost.uchicago.edu in January, 2003) seems extremely rushed, & it lacks the accuracy common in his other publications. Why is that? The only remarks he made that I confirmed in the presentation above are the unusual Gimel & anomalous Shins. His analysis seems uncharacteristic in light of the precision he has demonstrated in other publications. For example, at the beginning of his analysis he emphatically references an "accumulation of styles and chronologically non co-existent characters." Yet he points out no chronologically non-co-existent characters, & even if he were to cite one (such as the Gimel), the angular incline of this one character would be insufficient to demonstrate a forgery. Look at the famous stela of Moabite Mesha; it was a very prominent work certainly done by an experienced scribe, yet many of its letters are at odd angles. For example, look at the nearly upright Gimel on the left side of the 16th line from the top compared to the very inclined Gimel in the 22nd line. Yet no credible scholar has ever suggested that this Moabite Stone was forged or anachronistic! Another striking remark he made is that some of the letters appear "in many variants some copied from" famous authentic ancient inscriptions. What would he say about the Bet-Resh ligature on one of the HBRN LMLK seals (H4C) matching similar ligatures in the famous Siloam Tunnel inscription? Were the ancient scribes not allowed to copy each other, or were they supposed to deliberately copy each other to appear legitimate? His logic is faulty, & a poor criterion for determining forgeries. So I strongly disagree with his remark, "All the above ... point toward a very poor forgery." To the contrary, he did not demonstrate that "the letter 'mem' appears in many variants", nor that some of the letters "are cursive and some are lapidary." What would be correct--a carbon copy of a genuine ancient inscription? That's the argument some people use against the James Ossuary--they say the letters match published ossuary incriptions! |